In Kent's tutorial he keeps the meshes relatively high-poly and renders the finished result in Cycles. The project started out following Kent Trammell's fantastic "Modeling a Sci-Fi Helmet" tutorial over at CGCookie where Kent uses a sculpting workflow to block out the main forms before re-topologizing the meshes into smoother panels. It sounds like Toolbag is freezing when you attempt to bake, which may or may not be related to the texture set feature. Still renders were made in Marmoset Toolbag 3. Multiple UV/Texture Sets are supported, all you need to do is apply a material per UV set to your low poly mesh and enable Multiple Texture Sets, so you should be doing everything correctly. A lot of Blender artists have been starting to use Substance Painter, and I feel that the two partner really nicely together.ĭecal work was made in Inkscape, the terrific open-source alternative to Adobe Illustrator, and Photoshop. It was also my first opportunity to really dive into Substance Painter in a big way. This was designed to be a real-time model optimized for Sketchfab.
Hey there, I wanted to share my latest piece I call "Smoking Kills". The release, which is currently in open beta, is due for commercial release 25 November 2016. If you have any questions for Paul, be sure to leave them in a comment! Marmoset has unveiled Toolbag 3, a major update to its real-time rendering toolkit for games artists, adding animation support, global illumination, texture baking and a slew of new features.
Today, he takes us on a tour of the creation of his latest work, 'Smoking Kills', where he used a combination of Blender, Inkskape, Marmoset Toolbag 3, Substance Painter, xNormal and Photoshop (whew!). You may recall Paul Chambers from his work 'Paper Island' that was nominated for a Suzanne Award, as well as his tutorial about it. You're blocking ads, which pay for BlenderNation.
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